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A French Odyssey: Music for Two Cellos & Basso Continuo | Challenge Classics CC720016

A French Odyssey: Music for Two Cellos & Basso Continuo

£13.75

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Label: Challenge Classics

Cat No: CC720016

Barcode: 0608917200164

Format: CD

Number of Discs: 1

Genre: Chamber

Release Date: 11th July 2025

Contents

Works

Barriere, Jean-Baptiste

Sonata a 3 no.2 in D minor

Berteau, Martin

Sonata VI in E minor

Boismortier, Joseph Bodin de

Trio Sonatas (5), op.37
» no.5 in A minor

Corrette, Michel

Concerto 'Le Phenix' for 4 cellos, viols or bassoons

Patouart, Louis Francois Joseph

Cello Sonatas (6), op.2
» no.6 in A minor

Rameau, Jean-Philippe

Les Indes galantes: Suite
» Air des Incas
» Air pour Les Esclaves africains
» Air pour Les Sauvages
» Ritournelle pour Le Turc genereux
» Tambourin no.1
» Tambourin no.2
Nouvelles Suites de Pieces de Clavecin
» 16. L'Egyptienne

Artists

UnderStories Ensemble

Works

Barriere, Jean-Baptiste

Sonata a 3 no.2 in D minor

Berteau, Martin

Sonata VI in E minor

Boismortier, Joseph Bodin de

Trio Sonatas (5), op.37
» no.5 in A minor

Corrette, Michel

Concerto 'Le Phenix' for 4 cellos, viols or bassoons

Patouart, Louis Francois Joseph

Cello Sonatas (6), op.2
» no.6 in A minor

Rameau, Jean-Philippe

Les Indes galantes: Suite
» Air des Incas
» Air pour Les Esclaves africains
» Air pour Les Sauvages
» Ritournelle pour Le Turc genereux
» Tambourin no.1
» Tambourin no.2
Nouvelles Suites de Pieces de Clavecin
» 16. L'Egyptienne

Artists

UnderStories Ensemble

About

The debut recording by a young but distinguished French-Italian Baroque ensemble, UnderStories, whose focus is on repertoire with dark and unusual instrumentation. This first disc from the group focuses on the rise of the cello as a solo instrument in France.

The ferment of the Enlightenment, the early signs of the Revolution and the intellectual debate on colonialism fuel this French odyssey.

During the Age of Exploration, France experienced an unprecedented cultural fervour. Trade routes and distant cultures enriched its identity. Exotic sounds and rhythms shaped both noble salons and concert halls. In this quest for new sonorities, by the mid-18th century, the cello finally gained prominence in France, replacing the viola da gamba, which had dominated European music for centuries.

The emphasis on deep sonorities is the culmination of this recording, featuring compositions by Louis-François-Joseph Patouart and Martin Berteau. The latter's story is particularly significant, embodying the spirit of the recording: he founded the French cello school, despite having started his career with the viola da gamba.

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